From:
[
www.poetrypreviews.com]
As McGann continues in the same essay, L=A=N=G=U=A=G=E P=O=E=T=S experimented with form and diction, ultimately bringing organization/form to where previously none (or little in the sense of being a poetic work) was found. He quotes advice given to budding L=A=N=G=U=A=G=E P=O=E=T=S by poet Bernadette Mayer in her work, "Experiments":
Systematically derange the language, for example, write a work consisting only of prepositional phrases, or, add a gerundive to every line of an already existing piece of prose or poetry, etc.
Get a group of words (make a list or select at random); then form these words (only) into a piece of writing—whatever the words allow. Let them demand their own form, and/or: Use certain words in a set way, like, the same word in every line, or in a certain place in every paragraph, etc. Design words.
Write what cannot be written, for example, compose an index. (Read an index as a poem).
Attempt writing in a state of mind that seems least congenial.
Consider word & letter as forms—the concretistic distortion of a text, for example, too many o's or a multiplicity of thin letters (illftiii, etc.)
Attempt to eliminate all connotation from a piece of writing & vice versa.
Work your ass off to change the language & don't ever get famous.
What is a synonym for 'poppycock', Alex.