Author: Fifi (---.251.221.203.comindico.com.au)
Date: 10-23-04 00:18

Hey guys! i'm new here so don't know how this works but i need help in defining the imaginative jouney coleridge takes in Frost at midnight and This lime tree bower my prison. PLEASE HELP!

Fifi, 'imaginative journey' isn't a category with an accepted meaning in literary criticism. It's one put up by some Australian (maybe just NSW) education authorities to test students like you. So I suggest you start by defining what YOU mean by an imaginative journey. If you can take control of the definition, you might make your search task easier. For instance, do you mean the poet thinking about travelling physically from place to place? Or do you mean some kind of journey through the poet's imagination, like jumping from one idea to another?

Once you have defined your task, you will be better placed to examine the two poems. Regrettably, they are written in an old-fashioned style likely to put off many young people from poetry for life. But I guess you are nearing the end of your school years, so by now you should have read fairly widely, and things aren't meant to be always easy for you. 'Per ardua ad astra' as the Latin saying goes (very loosely translated as 'you have to be able to cope with difficulty to become a star')

Here are the poems (taken from the Classical Poet List link on this page, so not guaranteed free of errors):

Frost At Midnight

The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud--and hark, again ! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings : save that at my side
My cradled infant slumbers peacefully.
'Tis calm indeed ! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village ! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams ! the thin blue flame
Lies on my low-burnt fire, and quivers not ;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

But O ! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger ! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come !
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams !
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book :
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike !

Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the intersperséd vacancies
And momentary pauses of the thought !
My babe so beautiful ! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes ! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe ! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags : so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher ! he shall mould
Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw ; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.


This Lime-Tree Bower My Prison

Well, they are gone, and here must I remain,
This lime-tree bower my prison ! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness ! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told ;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun ;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge ;--that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall ! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight !)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.

Now, my friends emerge
Beneath the wide wide Heaven--and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow ! Yes ! they wander on
In gladness all ; but thou, methinks, most glad,
My gentle-hearted Charles ! for thou hast pined
And hunger'd after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity ! Ah ! slowly sink
Behind the western ridge, thou glorious Sun !
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers ! richlier burn, ye clouds !
Live in the yellow light, ye distant groves !
And kindle, thou blue Ocean ! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense ; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than bodily ; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.

A delight
Comes sudden on my heart, and I am glad
As I myself were there ! Nor in this bower,
This little lime-tree bower, have I not mark'd
Much that has sooth'd me. Pale beneath the blaze
Hung the transparent foliage ; and I watch'd
Some broad and sunny leaf, and lov'd to see
The shadow of the leaf and stem above
Dappling its sunshine ! And that walnut-tree
Was richly ting'd, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight : and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower ! Henceforth I shall know
That Nature ne'er deserts the wise and pure ;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to Love and Beauty ! and sometimes
'Tis well to be bereft of promis'd good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles ! when the last rook
Beat its straight path across the dusky air
Homewards, I blest it ! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross'd the mighty Orb's dilated glory,
While thou stood'st gazing ; or, when all was still,
Flew creeking o'er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.



Post Edited (10-23-04 18:49)

Hey in the poem "Fax X" by Gwyneth Lewis
I need to find a sustained metaphor to use as a main idea in making a book cover and blurb (i.e the front and back of a book)...
The poem is:

Today set sail like a cruising ship
taking us with it, so we waved goodbye
to the selves that we were yesterday
and left them ashore like a memory
while we launched out on the open sea,
were travelling! The breeze grew stiff
so we grabbed the railings, tasted the surf
as the sky came towards us, equator noon
a place to pass us, while the tropics of tea
swung over us and straight on by
as tiem kept sailing and we hung on,
admiring the vistas of being away
while the shadows died down from the flames of day
and we coasted around a long headland of sky
and into night's port while, out in the bay
tomorrow called out like a ringing buoy

Catz, are you looking for something, or letting us know you have found it? Surely you can see that that whole poem is an extended metaphor.

Nice poem, except that the title seems feeble and irrelevant. Perhaps it was the 10th in a series of untitled poems supposed to have been faxed to someone.

Can't help you with your book blurb/cover without knowing what your book's about!

As your post had nothing to do with 'Frost at Midnight/Coleridge' the subject of this thread, you have posted in the wrong place. You should have clicked New Topic and started a fresh thread with a title indicating your subject, e.g.: ' "Fax X" by Gwyneth Lewis '

Can one of the moderators shift these two posts?