Re: NEED HELP ON ANNE BRONTE POEM!!
Posted by:
Hugh Clary (---.denver-05rh15-16rt.co.dial-access.att.net)
Date: November 04, 2021 11:10AM
Probably should be on a thread by itself, but here's the poem (assuming foethke is a rather amusing typo for Roethke):
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.)
How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and stand;
She taught me Touch, that undulant white skin:
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing did we make.)
Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved.)
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Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways.)
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Personally, I see many sexual innuendoes in this one, but let that go. Surely seed to grass to hay means the passage of time, no? A martyr is one who suffers, yes? So, I suffer for a motion not my own? Casting a white shadow would seem to indicate either purity or a lack of substance? Old bones means she is much younger than the poem's speaker?
Clearly, this is an exact copy of an instructor's quiz, so I am hesitant to answer more directly, but those are some things that occur to me in reading the poem. You have to create your own actual responses.