Here's a description of 'the characteristics'- from the Stockton College website. (The cache)
'The dramatic monologues of Browning are characterized by certain identifiable traits. The three requirements of a Browning dramatic monologue are "The reader takes the part of the silent listener; The speaker uses a case-making argumentative tone; We complete the dramatic scene from within, by means of inference and imagination" (Landow). Critics have interpreted the third requirement, the reader's interpretation and conclusions, as a suspension of the reader/listener between sympathy and judgment. The reader has a choice regarding the intent of the speaker, but he/she must remain removed until the speaker is done making his argument.'
What you're going to need to do is come up with a case- some sort of change or insight that your narrator (the student) comes up with in reading Caliban. There's some good discussion of the poem at the U of Toronto site. [
eir.library.utoronto.ca]
Once you've got the case, put it into poetic form- your narrator is addressing an observer. In a perfect world, the observer would be able to make a conclusion beyond what the narrator says- maybe even beyond what the narrator knows. But none of us are Browning.
pam