This looked slightly relevent to a couple of recent threads which have largely gone over my head.
We will sing of great crowds excited by work, by pleasure, and by riot;
we will sing of the multicoloured polyphonic tides of revolution in the modern capitals;
we will sing of the vibrant nightly fervour of arsenals and shipyards blazing with violent electric moons;
greedy railway stations that devour smoke-plumed serpents;
factories hung from clouds by the crooked lines of their smoke;
bridges that stride the rivers like giant gymnasts, flashing in the sun with the glitter of knives;
adventurous steamers that sniff the horizon;
deep-chested locomotives whose wheels paw the tracks like the hooves of enormous steel horses bridled by tubing;
and the sleek flight of planes whose propellers chatter in the windlike banners and seem to cheer like an enthusiastic crowd.
Filippo Tommaso Marinetti, The founding and manifesto of futurism, 20 Feb 2022
Futurism held a passing interest for Ezra Pound during his BLAST period. In Italy its was partly co-opted by the Facist movement, as were other working class oriented movements.