Hey,
I'm writing a piece, and was wondering if anyone would be able to recommend me any poetry with themes of self-discovery or growth?
Help appreciated
You could start with this one:
When I was One and Twenty by A E Housman
WHEN I was one-and-twenty
I heard a wise man say,
‘Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies 5
But keep your fancy free.’
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again, 10
‘The heart out of the bosom
Was never given in vain;
’Tis paid with sighs a plenty
And sold for endless rue.’
And I am two-and-twenty, 15
And oh, ’tis true, ’tis true.
THE TREE
I STOOD still and was a tree amid the wood,
Knowing the truth of things unseen before;
Of Daphne and the laurel bow
And that god-feasting couple old
That grew elm-oak amid the wold.
'Twas not until the gods had been
Kindly entreated, and been brought within
Unto the hearth of their heart's home
That they might do this wonder thing;
Nathless I have been a tree amid the wood
And many a new thing understood
That was rank folly to my head before.
Ezra Pound, 'Personae'
I think this one shows some self-awareness by Kilmer:
To a Young Poet who Killed Himself
by Joyce Kilmer
When you had played with life a space
And made it drink and lust and sing,
You flung it back into God's face
And thought you did a noble thing.
"Lo, I have lived and loved," you said,
"And sung to fools too dull to hear me.
Now for a cool and grassy bed
With violets in blossom near me."
Well, rest is good for weary feet,
Although they ran for no great prize;
And violets are very sweet,
Although their roots are in your eyes.
But hark to what the earthworms say
Who share with you your muddy haven:
"The fight was on -- you ran away.
You are a coward and a craven."
"The rug is ruined where you bled;
It was a dirty way to die!
To put a bullet through your head
And make a silly woman cry!
You could not vex the merry stars
Nor make them heed you, dead or living.
Not all your puny anger mars
God's irresistible forgiving.
"Yes, God forgives and men forget,
And you're forgiven and forgotten.
You may be gaily sinning yet
And quick and fresh instead of rotten.
And when you think of love and fame
And all that might have come to pass,
Then don't you feel a little shame?
And don't you think you were an ass?"
Les
I think this passage captures the feeling you seek. It is not a poem; it's a passage from "Winesburg, Ohio" by Sherwood Anderson:
There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is tom open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun. He shivers and looks eagerly about. The eighteen years he has lived seem but a moment, a breathing space in the long march of humanity. Already he hears death calling. With all his heart he wants to come close to some other human, touch someone with his hands, be touched by the hand of another. If he prefers that the other be a woman, that is because he believes that a woman will be gentle, that she will understand. He wants, most of all, understanding.
When the moment of sophistication came to George Willard his mind turned to Helen White, the Winesburg banker's daughter. Always he had been conscious of the girl growing into womanhood as he grew into manhood. Once on a summer night when he was eighteen, he had walked with her on a country road and in her presence had given way to an impulse to boast, to make himself appear big and significant in her eyes. Now he wanted to see her for another purpose. He wanted to tell her of the new impulses that had come to him. He had tried to make her think of him as a man when he knew nothing of manhood and now he wanted to be with her and to try to make her feel the change he believed had taken place in his nature.
As for Helen White, she also had come to a period of change. What George felt, she in her young woman's way felt also. She was no longer a girl and hungered to reach into the grace and beauty of womanhood. She had come home from Cleveland, where she was attending college, to spend a day at the Fair. She also had begun to have memories. During the day she sat in the grand-stand with a young man, one of the instructors from the college, who was a guest of her mother's. The young man was of a pedantic turn of mind and she felt at once he would not do for her purpose. At the Fair she was glad to be seen in his company as he was well dressed and a stranger. She knew that the fact of his presence would create an impression. During the day she was happy, but when night came on she began to grow restless. She wanted to drive the instructor away, to get out of his presence. While they sat together in the grand-stand and while the eyes of former schoolmates were upon them, she paid so much attention to her escort that he grew interested. "A scholar needs money. I should marry a woman with money," he mused.
Helen White was thinking of George Willard even as he wandered gloomily through the crowds thinking of her. She remembered the summer evening when they had walked together and wanted to walk with him again. She thought that the months she had spent in the city, the going to theaters and the seeing of great crowds wandering in lighted thoroughfares, had changed her profoundly. She wanted him to feel and be conscious of the change in her nature.
The summer evening together that had left its mark on the memory of both the young man and woman had, when looked at quite sensibly, been rather stupidly spent. They had walked out of town along a country road. Then they had stopped by a fence near a field of young corn and George had taken off his coat and let it hang on his arm. "Well, I've stayed here in Winesburg--yes--I've not yet gone away but I'm growing up," he had said. "I've been reading books and I've been thinking. I'm going to try to amount to something in life."
Les
Edited 2 time(s). Last edit at 08/15/2007 09:07PM by les712.